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The movie’s depiction of warring gangs, including a Voodoo-themed enclave, is far from culturally sensitive then again, in a movie where pretty much everyone - including Danny Glover, Gary Busey, and the irreplaceable Bill Paxton - amps up hard, it’s hard to discern which, if any, characters lack dignity.

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Set in a then-futuristic Los Angeles of 1997, it’s full of strobing lights, blue filters, garbage-strewn alleyways, and sweat some of the kills are so stylized that they land somewhere between comic book splash panels and abstract art. It would be a stretch to say Predator 2 is what it would be like if Tony Scott directed a Predator movie on the other hand, Predator 2 is a lot more fun than the movies Scott was making around this time. But the thing is, “early-’90s studio-action journeyman” does have a collective authorship of its own, an MTV-influenced slickness that now looks almost classical for its relative clarity and coherence. Due to the timing and style of his career peak, it’s pretty easy to confuse him with journeyman Renny Harlin - they both even worked on successive Nightmare on Elm Street sequels in the late ’80s. Predator 2 (1990)Īdmittedly, it’s difficult to tease out a lot of clear thematic concerns from the films of journeyman Stephen Hopkins. Not all of McTiernan’s movies involve a lone hero fighting his way through impossible odds, but it sure seems like the framework that best fits his clean-line action and command of physical performers. The real juice comes in the last 40 minutes of the movie, the dialogue-light section where Arnold’s Dutch starts getting aggressive toward his alien nemesis. The appeal of the first section’s second-tier machismo is both part of why the movie has lingered in the popular imagination, and why it’s the only Predator in danger of becoming at all overrated. It morphs from contentious guys-on-a-mission movie to stalker/slasher dynamics to a final mano a mano showcase for star Arnold Schwarzenegger, who also made several classics in the wake of this film, including Total Recall and Terminator 2. Those three movies show remarkable action-movie versatility between them - and that versatility is on display within Predator itself, too. Here’s a guide to the good stuff in (almost) every entry, almost all of which are currently available on Hulu.ĭirector John McTiernan kicked off a ridiculous hot streak with the original Predator, which he followed with Die Hard and The Hunt for Red October. In their modest and low-stakes way, they’ve become a model of what a dependable yet varied franchise should look like, and it’s a relief that this remnant of 20th Century Fox as a purveyor of R-rated sci-fi and horror survives into its menacing acquisition by content-farming Disney. The Predator movies aren’t high-minded they also aren’t burdened with early entry near-perfection like the Alien, Terminator, or RoboCop series. Although you could cynically see most of these movies as failed attempts to reignite a stalled franchise, the lack of normal sequels in the Predator cycle only makes the movies more fun each one starts over and gives a different filmmaker a chance to play around with the concept of an 8-foot alien race whose entire life cycle is seemingly dedicated to the hunting of other species for sport. Maybe this time, they’ve made a worthwhile sequel to Predator.īut what if I told you that, as with the Alien series, every Predator movie was worth watching? And, further, that these movies are worth watching for much the same reasons as their distant Alien cousins: because each one shows off the style, skill sets, and preoccupations of its director. The newest movie, Prey, is now on Hulu like several other latter-day Predator movies, its reviews suggest that maybe this time they’ve actually done it.

It seems to be considered something of an also-ran - one of those unkillable franchises still chasing the glory of the classic original.

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The Predator series carries no such prestige. After all, any filmmaker taking on an Alien movie is placing themselves alongside Ridley Scott, James Cameron, David Fincher, and Jean-Pierre Jeunet.

This contributes to the sense that, however uneven it can be, the Alien franchise is a premier destination for sci-fi-horror authorship.

Predator side series) has been subsequently nominated for at least one Academy Award. Though it hasn’t always been a box-office gold mine, every director of an Alien movie (apart from the Alien vs. The movie monsters known as Predators have been pitted against the famous xenomorphs from the Alien franchise in a series of comic books, video games, and films - but by most common cinematic metrics, there isn’t much of a contest.